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Our Premier Album of the Year: Rosalía's Masterpiece Claims the Top Spot.

Initially, Lux could seem closer to a difficult scholarly quiz rather than a new pop record by an artist whose previous single was a collaboration with an international K-pop star. Divided across 4 distinct parts and voiced in thirteen languages, it is a breathtaking symphonic album exploring feminine mystery, spiritual ascent, and corporal change, frequently via the prism of different saintly figures. The dissolution of a love affair—a topic treated with grounded openness on another major 2025 album—is launched heavenward here, buoyed by the constant sound of a full symphony orchestra and work from an award-winning composer among a long list of contributors. The pure daring by itself renders the work of contemporary artists appear rather modest.

Rising Above Scholarly Exercise

That this album manages to avoid dry intellectual posturing is nothing short of miraculous, with full credit belonging to the artist. Although it's not the first time album to alchemize historical sounds with the present, the ambitions are far higher on Lux, with the tightrope walk far more dramatic. What really elevates her fourth release, beyond its complex melodies, rich compositions, and engrained drama, is an essential spirit of joy. Similar to the legendary artist at her height, you find a wondrous sense to Rosalía's voice which sweeps you into its tornado. Even when she's breaking hearts in two, the listener still desire to be right there through the ride.

A Signature Moment of Joy

This exuberant energy shines brightly during the stunning Italian song about Saint Clare. It luxuriates in a string-drenched whirlpool for several moments. Suddenly, everything drops silent, and we hear a spontaneous laugh and a declaration before a comically over-the-top string crescendo crashes in with comedic impact. The song immediately shifts to the wild single featuring racing strings, a powerful choir, and a surprise role from the artist herself.

"The charm of Lux lies in you rarely exactly know—or even wish to know—what it will go next."

Almost every track finishes at a completely distinct point from how it began. A track examines the transient nature of fame over a delicate orchestration only to collapsing into digital cacophony. Another, a cut echoing the artist's earlier trap-infused work begins out moody and sinister, with menacing vocals, until sudden flamenco handclaps and a heavenly choir arrive to soften the song's rough edges.

The Bridge Between Art and Pop

Another crucial achievement on the album involves navigating the line of bold experimentation and mainstream accessibility. It is little coincidence that it has become her highest-charting work to break into the Top 5 of key charts: at its core a suite of utterly catchy pop songs. One track performed entirely in the English language swells on a chorus that seems to gather more and more infectious hooks as it spirals upward. That trick is repeated on a different expansive track that grows and constricts, weaving layered melodies like a complex tapestry.

  • A dance-infused song seduces via its jaunty, Disney-adjacent flair and a chant-along hook.
  • In its words, it shares the pop culture honesty of other heartbreak songs, lambasting an ex- partner described as an "psychological terrorist".
  • Across these tracks, the vocals have a painted-on smile, like a storybook character hiding a blade: "Gold medal in acting like a motherfucker / You have the podium of letdown."

An Opulent Feast for the Soul

This album represents popular music on a grand level, an ambitious reach for capital-A artistry in an era of looming artificial sameness. It eschews solipsism in favor of glorious elevation, creating a dramatic spectacle that skillfully controls its inherent excess. This is an abundant well of hidden treasure that takes time to fully explore but doesn't seem like hard work. Where other big releases of the year seemed like feasting on meal, this record is a sumptuous banquet where the guests at the table, some intoxicated on sacred drink, flutter between discussions about ancient figures, the galvanizing sensation of heartbreaking sadness, and common stories about hopeless men. It is a contemporary musical from pop's most endlessly inventive practitioner.

JL
The writer

Joanne Lara

Maya is a seasoned gaming journalist with over a decade of experience covering the UK gaming scene, specializing in indie game reviews and industry analysis.

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